On Themes: How To Incorporate Time In Your Novels

Time is weird. It flies by when we’re having fun, yet the weeks drag on. Something can happen in the blink of an eye, yet certain situations seem to last forever. We wish we had more time in the things we do, but we always waste the time we have.

When it comes to talking about time in our novels, it’s not exactly as easy as you would think.

Time, in my opinion, is probably a theme in every novel you’ve written or read. It may not always be noticeable, but think about it: everything that happens, happens in time.

Time can either be used for or against the protagonist. Time can just be present because… well, time is always present no matter what. Time can be subtle, time can be noticed. There are a lot of different ways you can use time in your novels whether you’re advancing the plot or you’re just making your world feel that much more realistic.

how-to-write-about-time

Transition

Probably one of the most common forms of time in novels is transitions, or changing scenes. You can change scenes by ending and starting a new chapter or using a page break such as (*) before beginning the next paragraph.

Transitions can do a lot of things:

  • Change the POV
  • Warp to a new location
  • Allow time to pass

Changing the POV may not necessarily mean time has passed, but then again I don’t think you would rewrite the same scene in the same time and space just through the eyes of a different character. I feel like that would be redundant, but who knows? Maybe it’s been done.

When you go to a new location, chances are you’re changing the time. It takes time for your character to get to one place to another. Unless you’re writing fantasy with interesting world rules, your characters can’t teleport instantly.Of course, there’s also changing locations to look at different characters doing something different at the same time your characters were doing their thing. Of course, you’d just be showing off time in a different space.

Of course, there’s also changing locations to look at different characters doing something different at the same time your characters were doing their thing. Still, you’d just be showing off time in a different space.

Then there’s letting time pass through. Is it the next day? The following week? Maybe two years had gone by. The point of changing scenes to let time pass is to give the reader a sense that life went on, but nothing too important happened that the reader has to know.

Waiting

How much of our lives are spent waiting? We wait in line at the grocery store, we wait at red lights on our way to work, we wait for the doctor to see us, and we wait for our future, for our lives to finally begin. (That was a bit dramatic, I know, but I’m leaving it in there.)

In order for the plot to move forward, your characters just have to wait in line like everyone else. Writing a mystery? You have to wait for the autopsy to come back. Writing fantasy? You have to wait for that special potion to brew.

Waiting is what advances the plot. What does your character do in that time of waiting? Maybe he doesn’t want to wait at all and makes some rash decisions.

Flashbacks and Flashforwards

Writing flashbacks and flashforwards are probably the most tricky ways of telling time in novels. You should only use these forms if your novel really needs it–if it helps the reader gain certain information and advances the plot.

Flashbacks should only be used once in a while and should only show one quick scene or plot point that goes along with your theme and plot.

By writing a flashback, you’re showing a different timeline that has nothing to do with what’s going on (at the time) but has everything to do with what’s happening to your characters at that present moment.

Or you could just have someone read someone else’s diary. That could work, too.

Flashforwards are hard because, depending on the genre, no one can predict the future. Those should be used scarcely or go along with the rules of your fantasy world.

Time Travel

Speaking of flashbacks and flashforwards, this is a fun way to incorporate those. Again, this depends on the genre you’re writing, but characters can have special powers or have a certain machine that allows them to date backward or forwards. Like the flashbacks and flashforwards, though, you should only use this to advance the plot.

Timeline

Now, not every story is told chronologically. Chapters can jump around from one year to the next if two different stories are being told that end up intertwined somehow.

Books can be told out of order as well. One of the major issues I’m having with my mystery series is that the cases aren’t all one right after the other, and until I get a good timeline down, I keep confusing myself.

Telling stories out of order can be pretty clever, though. It allows some mystery for the reader when the characters know something they don’t, and vice versa.

Progression

What exactly does time do for us? It helps us move forward. Healing takes time, grieving takes time, growing up takes time, everything takes time.

Something may happen to your protagonist at the age of 10, but the real heart of the plot doesn’t begin until he’s 21 or something. In other words, time has to pass to get to that moment. Are you going to write about his ups and downs at school, him going through puberty, getting his driver’s license? No, because they don’t matter.

Time passes to allow us to get to the major point of the story and to show certain aspects of our characters and setting. (Yes, setting. A lot can happen to the Earth in ten years.)

In Conclusion

Time is easy to talk about, but it can be hard to write about. Of course, time doesn’t always seem present, but it’s always lurking around somewhere.

Make sure you and your characters use their time wisely.

How do you incorporate time in your novels? Do you have any advice that I missed? Let me know in the comments below.

rachel poli sign off

Twitter | Bookstagram | Pinterest | GoodReads | Double Jump

newsletter-signature

Advertisements

Antagonists Are People, Too

It’s hard to have a good plot without someone to drive your protagonist forward. Often times, that someone happens to be a “bad guy.”

Someone who is not nice, someone who isn’t your protagonist’s number one fan, someone who wants the spotlight for themselves and goes about it the wrong way. There are a lot of reasons a protagonist becomes a protagonist. Often it’s something bad, but sometimes it’s not.

antagonist

Who is the antagonist?

The antagonist is a character in your novel. Often times they are the “bad guy,” the person the protagonist is trying to stop, the person the readers don’t root for.

However, you have to remember that the antagonist is just as important to the novel as your protagonist is.

There are many different types of antagonists.

  • The Psychopath
  • The Hater
  • The Power Hungry
  • The Insane
  • The Rival

There are more types of villains, of course, but those are just a few. You can tell which type of antagonist you’ve created based on their personality, their background, and their motives.

How to create an awesome antagonist

Just like your protagonist, your antagonist should have a story too. Give them a personality, give them a background story. Things that have happened to them in the past may have made them out to be who they are now.

Antagonists should…

1. Have a motive.

They need to have a motive for why they do what they do. They should be trying to accomplish something for their own benefit, acting on personal desires.

Good motivations can stem from the seven deadly sins, such as greed or envy.

2. Get in the way of the protagonist.

The antagonist’s wants are most often the opposite of the protagonist’s. They may be racing each other, they may be trying to stop each other.

Speaking of envy, some antagonists are jealous of the protagonist and that ends up being a motivation for hate.

3. Be trying to hide something or trying to gain something.

Antagonists should have secrets. They should have a deeper, internal motive for doing what they do.

In turn, they should be trying to gain something. Most antagonists do what they do purely for selfish reasons.

4. Have flaws.

No one is perfect and that includes protagonists and antagonists alike. Some people may believe the antagonist’s motives are their flaw, but there should be character traits that allows the character to stand out, that allows the antagonist to be known as the antagonist.

Remember…

Antagonists are a character in your story. They should be fleshed out just as much as the other characters in the story.

The only difference is, a villain is someone whose story hasn’t been told.

How do you write antagonists? Do you have any tips to create memorable bad guys? Let me know in the comments below!

Did you enjoy this post? Why don’t you check out Why Does Your Protagonist Matter?

rachel poli sign off

Twitter | Bookstagram | Pinterest | GoodReads | Double Jump

newsletter-signature